The roots of that approach came from comic books – Neumeier said he’d wanted to create a character who felt like “a superhero with a headache.” In particular, 2000AD breakout strip Judge Dredd was a massive influence. While laughing, the audience are invited to consider that, if the worst of humanity is the worst of us all, how bad are we allowing ourselves to become?
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Newsreaders making free political commentary during reports, fudging the space between facts and truth for political ends, is now a world standard. The dangers of neoliberalism running wild are illustrated in OCP’s ability to take over en entire city, including its police, while a hapless mayor tries to persuade an uncaring electorate to think about what’s right for the future rather than embracing tax breaks and consumer benefits.
If the violent scenes were so extreme as to be funny, so too was the social commentary in the script by Edward Neumeier and Michael Miner. In the script, somebody would say, ‘Hey brother,’ and I would ask, ‘Who is the brother?’” “There were so many moments where I could’ve gone wrong. “Initially, I rejected the script because it was so different from what I’d been doing in the Netherlands,” Verhoeven told the Guardian in 2022, explaining that he struggled with the American slang language because he was so unfamiliar with it. He was right – while the shocking disintegration of Murphy by Boddicker’s gang remains in the memory, so too does the cartoon-like moment when acid-soaked gangster Antonowsky is splattered into liquid by Boddicker. Verhoeven resisted every edit, arguing that kids would find his violent scenes comedic, especially in the context of his direction. Desperate studio execs insisted on cutting seconds here and there in a bid to drop the bullet count to secure an R rating. The violent scenes were so deliberately extreme that they remain many first viewers’ leading memories.
RoboCop was Dutch director Paul Verhoeven’s breakthrough movie, and his trademark character ran deeply through it.
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